Biog
Sound Design includes: ‘Meet Me at Dawn’ ‘Hoard’ ‘New Nigerians’ (Arcola), ‘Shida’ (Vaults), ‘Boots’ (Bunker Theatre), ‘The Paradise Circus’ ‘Harvey’ (Playground), ‘Clockwork Canaries’ (Theatre Royal Plymouth), ‘After the Ball’ (Gatehouse), ‘All Or Nothing’ (West End), ‘Knock Knock’ ‘Thrown’ (Edinburgh), ‘9 to 5’ (Gatehouse), ‘Tenderly: The Rosemary Clooney Musical’ (Wimbledon Studio), ‘What Shadows’ (Edinburgh Lyceum, as Associate), ’Ready Or Not’ (UK Tour), ’The Mirror Never Lies’ (Cockpit), ‘After Three Sisters’ (Jack Theatre), ‘Charlie Chaplin’ (Cinema Museum), ’Tis Pity’ (Tristan Bates), ‘The Lamellar Project' (UK Tour), ‘Dr. Angelus’, ‘Don’t Smoke in Bed’ ‘The One Day of the Year’ (Finborough), ’Spring Awakening’ ’Seussical’ (Chelsea Theatre), ’Resolution (The Space), 'The Drunken City’ (Tabard), 'Roaring Trade’ and ‘Finders Keepers’ (Park), ‘Counting Stars’ (Assembly Edinburgh), ‘The Social Notwork’ (Lion and Unicorn), ‘La Boheme’ (Arcola), 'Shock Treatment' (Kings Head).
Chris was nominated for the 2017 OffWestEnd Sound Design Award for his work on Tenderly at the Wimbledon Studio.
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